Search results for "Classical music"
showing 10 items of 23 documents
Music style not only modulates the auditory cortex, but also motor related areas
2021
The neuroscience of music has recently attracted significant attention, but the effect of music style on the activation of auditory-motor regions has not been explored. The aim of the present study is to analyze the differences in brain activity during passive listening to non-vocal excerpts of four different music genres (classical, reggaeton, electronic and folk). A functional magnetic resonance imaging (fMRI) experiment was performed. Twenty-eight participants with no musical training were included in the study. They had to passively listen to music excerpts of the above genres during fMRI acquisition. Imaging analysis was performed at the whole-brain-level and in auditory-motor regions …
Music in the moment? Revisiting the effect of large scale structures.
2007
The psychological relevance of large-scale musical structures has been a matter of debate in the music community. This issue was investigated with a method that allows assessing listeners' detection of musical incoherencies in normal and scrambled versions of popular and contemporary music pieces. Musical excerpts were segmented into 28 or 29 chunks. In the scrambled version, the temporal order of these chunks was altered with the constraint that the transitions between two chunks never created local acoustical and musical disruptions. Participants were required (1) to detect on-line incoherent linking of chunks, (2) to rate aesthetic quality of pieces, and (3) to evaluate their overall co…
Diurnal changes in the perception of emotions in music: Does the time of day matter?
2014
According to the Hindustani music tradition, the ability of a song to induce certain emotions depends on the time of day: playing a song at the right time is said to maximise its emotional effect. The present exploratory study investigated this claim by combining findings in chronobiology, mood research and music perception. It has already been established that some aspects of our mood fluctuations follow a cyclical pattern. Besides, it is a known fact that our current mood influences our perception and assessment of emotions. However, these elements have never been linked together in a study examining the effect of mood cyclicity on perceived emotions in music. To test the hypothesis of a…
Calidad de salas para música clásica
2013
Finding a parameter which allows establishing if a concert room is good for orchestral classical music performances or not is one of the main interests in room acoustics. However, rooms are usually characterized by average values of some acoustic parameters. From the optimal values mostly recognized, specialists can consider a room adequate or not for a certain use. In recent works, we have obtain we have obtained a model for classifying a room for classical music performances, from the reverberation time (T30), the lateral energy factor coefficient (LFC) and the listener envelopment (LEV). From this model, we can determine the quality maps for these rooms. In this paper, we show the qualit…
Crossover als Inszenierungsstrategie
2020
Wie grenzt sich klassische Musik von Popmusik ab? Und welche Rolle spielen dabei performative Inszenierungsstrategien? Mit einem praxeologischen Ansatz arbeitet Clara-Franziska Petry Inszenierungsstrategien als konstituierende Prozesse für Musikgenres heraus und entwirft eine Aufführungsanalyse von Stars. Im Zentrum stehen dabei sogenannte Crossover-Phänomene, die Genregrenzen generell aufbrechen. Die Inszenierungstechniken von Authentizität, Virtuosität, Popularität, Kulturalität, Korporalität und Lokalität ermöglichen einen Vergleich von E- und U-Musik, der nicht auf der Ebene des musikalischen Materials, sondern auf performativer Ebene basiert.
Expertise in folk music alters the brain processing of Western harmony
2012
In various paradigms of modern neurosciences of music, experts of Western classical music have displayed superior brain architecture when compared with individuals without explicit training in music. In this paper, we show that chord violations embedded in musical cadences were neurally processed in a facilitated manner also by musicians trained in Finnish folk music. This result, obtained by using early right anterior negativity (ERAN) as an index of harmony processing, suggests that tonal processing is advanced in folk musicians by their long-term exposure to both Western and non-Western music.
Tradition and modernity: new sound proposals from the music schools of the federation of musical societies of the valencian community
2019
Background: The Federation of Musical Societies of the Valencian Community (FSMCV) is a democratic association created 50 years ago, which represents and supports the 550 associations that make it up, with the aim of promoting, disseminating and teaching music. It promotes associationism and provides society with a way of developing cultural articulation, mainly developing its activities within the Valencian Community, although its national and international activity is very remarkable. Methodology: This article based on a prospective study using a qualitative methodology analyzes one of the proposals made to commemorate the 50th anniversary of the FSMCV through the use and application of t…
Categories, Musical Instruments, and Drawings: A Unification Dream
2019
The mathematical formalism of category theory allows to investigate musical structures at both low and high levels, performance practice (with musical gestures) and music analysis. Mathematical formalism can also be used to connect music with other disciplines such as visual arts. In our analysis, we extend former studies on category theory applied to musical gestures, including musical instruments and playing techniques. Some basic concepts of categories may help navigate within the complexity of several branches of contemporary music research, giving it a unitarian character. Such a 'unification dream,' that we can call 'cARTegory theory,' also includes metaphorical references to topos th…
Política del ruido. En los límites de la comunicación musical
2016
Este artículo se basa en la idea de cómo la comunicación musical activa no solo elementos musicales sino culturales y sociales. Como práctica social, la música muestra tanto su poder comunicativo como los límites de la comunicación (entendida como un intercambio de mensajes y significados). En este sentido, el ruido se presenta como un factor de disrupción en el circuito semiótico y en las relaciones sociales. La cuestión del ruido se trata como un aspecto liminar del sonido y la música, como puede observarse en diversos ejemplos tomados de la vanguardia (ruidismo) hasta la música popular contemporánea (noise), pasando por géneros musicales particulares como el punk-rock o la música tecno.
STTEPping in the right direction? Western classical music in an orchestral programme for disadvantaged African youth
2008
This article looks at STTEP, an outreach project currently housed at the University of Pretoria, which concentrates on the teaching of western orchestral instruments, plus background areas such as music theory, to disadvantaged children and youth from a variety of townships around Pretoria, South Africa. STTEP’s direction can well be described as ‘right’ – pupils are already surrounded by all kinds of global phenomena, and their formal music studies in western classical music are not making them forget their roots. In fact, the contrary has been found to be the case and some interesting cultural fusions are already seen – always a sign of a living culture.